Festive Overture Pdf

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The post-Stalin era in the Soviet Union was a time of great relief and increasing freedom for artists. Fearing for his welfare, Shostakovich had abandoned the symphony for nine years, finally ending the moratorium with the vastly successful Tenth, which he composed shortly after the March 5, 1953, death of Stalin.

THE HISTORY – Festive Overture was born during this touchy political time when Shostakovich was approached in 1954 by the conductor of the Boshoi Theater Orchestra with a doubly impossible proposition – write a work in celebration of the October Revolution and do so in three days! A Festive Overture sheet music - Concert Band sheet music by Alfred Reed: Hal Leonard. Shop the World's Largest Sheet Music Selection today at Sheet Music Plus.

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With the artistic climate vastly improved, Shostakovich's expressive language ironically turned conservative and he even began to criticize the avant-garde. Shostakovich then went on to compose thoroughly unadventurous works like The Gadfly film score (1955), the Piano Concerto No. 2 (1957), and the Symphony No. 11 (1957). The Festive Overture came near the beginning of this period and is as conservative a composition ever to come from his pen. It is a light work written to celebrate the 37th anniversary of the Bolshevik Revolution. Its joyous mood and lack of pomp clearly suggest the composer viewed politics in a different light now and felt that political leaders no longer had to be feared.

Overture

This work lasts about five minutes and often turns up as a bonus on Shostakovich symphony recordings, thus gaining considerable currency. It is colorful and thematically appealing, sounding like typical Shostakovich in a lighter vein. While the ending flirts with bombast, it is tasteful in its brevity and understatedness. If the work is truly the composer's then-current take on the meaning of the Revolution in an encapsulated form, he must have viewed it most benignly, clearly as a happy and positive event. The freedom Shostakovich enjoyed during this time would not last long, as in the following decade he would become censured for some of his compositions again, most notably the Symphony No. 13 (1962).

Appears On

YearTitleLabelCatalog #
2019 Deutsche Grammophon
2019 Deutsche Grammophon 4836728
2018 Ars Produktion ARS 38256
2017 Pro Organo PO 7275
2017 Equilibrium EQ 143
2016 Erato 557140
2016 Naxos 8509003
2015 Mark Masters / Mark Records 51524 MCD
2014 ABC Classics 5351040
2014 Regent REGCD 449
2014 Naïve NC 40044
2014 RCA Red Seal 88843063602
2013 Delos DE 3440
2013 Naxos 8578253
2013 Genuin GEN 13294
2013 Mark / Mark Custom Recording 50240MCD
2013 Preiser Records PR 91217
2012 Entertainment Group 4041
2012 Deutsche Grammophon
2012 Deutsche Grammophon 4790350
2012 Deutsche Grammophon 4790069
2012 EMI Classics / Warner Classics 5099970514
2012 EMI Classics / Warner Classics 5099932786
2012 Altissimo ALT 63132
2012 Chandos CHAN 24144
2012 Entertainment Group 12304
2012 RPO RPOSP 037
2012 Naïve V 5252
2011 Newton Classics 8802037
2011 Entertainment Group 1210
2010 Decca
2010 Warner Classics / Warner Classics & Jazz / Wcj 2564680255
2010 RPO 28370
2010 Cascavelle 3137
2009 EMI Classics / Warner Classics 5099926475
2009 Deutsche Grammophon
2009 Sony Masterworks 47282
2008 Signum UK 135
2007 EMI Classics 512278
2007 Brilliant Classics 8128
2007 Brilliant Classics 8480
2007 BBC Legends 42202
2007 Decca
2007 Decca 475 8748DC12
2007 Deutsche Grammophon 4776118
2006 Chandos CHAN2027
2006 JAV Recordings JAV168
2006 Decca 475 7431DC9
Decca 000732502
2006 Rca Red Seal 76238
2006 Naxos 8 552129/30
2006 Urtext 106
2005 Brilliant / Brilliant Classics 6735
2005 Brilliant 7096
2005 Angelok 1 9932
2005 Liquid 8 12256
2004 Telarc Distribution SA-60595
2004 Telarc Distribution CD-80595
2004 Supraphon 36892
2004 Universal Classics 000217302
2003 Mark Custom Recording symphonia2
2003 Chandos 10088
2002 EMI Music Distribution 75091
2000 German Brass 27307
2000 Sony Classical 89434
2000 Tring 032
2000 Virgin Classics 61134
2000 Summit Records 247
1999 Deutsche Grammophon 439892
1999 Delos 3246
1999 RCA 902668844
1998 Intersound 2837
1998 BBC Music 1
1997 Naxos 8 556684
1996 ASV CDQS6180
1996 Sony Music Distribution 62592
1996 Sony Music Distribution 62642
1995 Rondo Grammofon 8324
1995 Rene Gailly 87105
1995 Naxos 553126
1994 Russian Disc 10902
1994 London 436 762-2DH
1994 BIS 570
1994 Chandos 7000/1
1993 Telarc Distribution 80305
1992 Chandos Brass / Chandos CHAN-4519
1992 Sony Classical 47198
1992 Chandos 6511
1992 Chandos 8587
1990 Delos 3089
1989 Telarc Distribution 80170
CBC Records 5069
BNA 5058
Deutsche Grammophon 13458
Mark Custom Recording 1211
Mark Custom Recording 4105
BBBC
Mark Custom Recording 2954
Imogena Records 016
Philharmonia of the Nations 52
Collins Records 7012
Russian Revelation 10061
Tring 032
Collins Records 11082
Brilliant 8128/14
Virgin 90784
EMI Music Distribution 54803
Collins Records 1108
Russian Revelation 10084
Revelation Records 40004
Sheffield Lab 27
Imogena Records 062

Dmitri Shostakovich’s five-minute Festive Overture in A major, Op. 96, was written in 1947 to mark the 30th anniversary of the October Revolution. It was not performed however until the 37th anniversary, when Alexander Melik-Pashayev conducted it during a Nov. 6, 1954, concert in Moscow’s Bolshoi Theatre.[1]

The Bolshoi's conductor, Vassili Nebolsin, found himself without a suitable new work to open the concert, and contacted Shostakovich just days before. The composer set to work on the overture with great speed, completing it in three days. He apparently based it on Glinka's Ruslan and LudmillaSccm 2012 software inventory report pdf. overture (1842), and it features the same lively tempo and style of melody. Whilst the style reflects Shostakovich, the piece as a whole uses very conventional classical devices of form and harmony.

The overture begins with a fanfare in the brass, followed by a fast melody in the winds. The strings take up this melody and the piece reaches a climax with a four-note motif. Suddenly, the music reaches a more lyrical melody in the horns and cellos, although the tempo remains the same. Shostakovich develops this material in his typical style, using both themes in counterpoint, before the fanfare returns and leads to a rousing coda.

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The work is a standard piece of the orchestral repertoire. A transcription for concert band was prepared by Donald Hunsberger in 1965, and is played by many bands all over the world.

Festive

On August 29, 2000, John Williams and the Boston Pops Orchestra, performed the version of the overture as part of the Summon the Heroes soundtrack.

The overture featured in the 1980 Summer Olympics in Moscow and the 2009 Nobel Prize concert.

Instrumentation[edit]

Shostakovich scored the overture for one piccolo, two flutes, three oboes, three clarinets in A, two bassoons, one contrabassoon; four horns in F, three trumpets in B-Flat, two trombones, one bass trombone, one tuba; a percussion section with timpani, triangle, cymbals, bass drum, and snare drum; and strings. Shostakovich also included four offstage horns in F, three offstage trumpets in B-flat, two offstage trombones and one offstage bass trombone.

References[edit]

  1. ^Lee, Douglas A. (2002). Masterworks of 20th-century music: the modern repertory of the symphony orchestra. Routledge. p. 374. ISBN978-0-415-93846-4.

Festive Overture Band Score Pdf

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