Festive Overture Pdf
The post-Stalin era in the Soviet Union was a time of great relief and increasing freedom for artists. Fearing for his welfare, Shostakovich had abandoned the symphony for nine years, finally ending the moratorium with the vastly successful Tenth, which he composed shortly after the March 5, 1953, death of Stalin.
THE HISTORY – Festive Overture was born during this touchy political time when Shostakovich was approached in 1954 by the conductor of the Boshoi Theater Orchestra with a doubly impossible proposition – write a work in celebration of the October Revolution and do so in three days! A Festive Overture sheet music - Concert Band sheet music by Alfred Reed: Hal Leonard. Shop the World's Largest Sheet Music Selection today at Sheet Music Plus.
- 2015 Seating Auditions Young Artists Wind Ensemble Clarinet Please prepare the following excerpts for seating auditions. In addition, please bring one solo piece of your choosing. Your seating audition will take place on Monday, July 6. Your specific audition time will assigned upon arrival at BUTI. Eb Clarinet– Festive Overture- Dmitri.
- Printed music: Part / Flute. All data collected using this site for commercially published use should be confirmed and verified by contacting the New York Philharmonic Archives.
With the artistic climate vastly improved, Shostakovich's expressive language ironically turned conservative and he even began to criticize the avant-garde. Shostakovich then went on to compose thoroughly unadventurous works like The Gadfly film score (1955), the Piano Concerto No. 2 (1957), and the Symphony No. 11 (1957). The Festive Overture came near the beginning of this period and is as conservative a composition ever to come from his pen. It is a light work written to celebrate the 37th anniversary of the Bolshevik Revolution. Its joyous mood and lack of pomp clearly suggest the composer viewed politics in a different light now and felt that political leaders no longer had to be feared.
This work lasts about five minutes and often turns up as a bonus on Shostakovich symphony recordings, thus gaining considerable currency. It is colorful and thematically appealing, sounding like typical Shostakovich in a lighter vein. While the ending flirts with bombast, it is tasteful in its brevity and understatedness. If the work is truly the composer's then-current take on the meaning of the Revolution in an encapsulated form, he must have viewed it most benignly, clearly as a happy and positive event. The freedom Shostakovich enjoyed during this time would not last long, as in the following decade he would become censured for some of his compositions again, most notably the Symphony No. 13 (1962).
Appears On
Year | Title | Label | Catalog # |
---|---|---|---|
2019 | Deutsche Grammophon | ||
2019 | Deutsche Grammophon | 4836728 | |
2018 | Ars Produktion | ARS 38256 | |
2017 | Pro Organo | PO 7275 | |
2017 | Equilibrium | EQ 143 | |
2016 | Erato | 557140 | |
2016 | Naxos | 8509003 | |
2015 | Mark Masters / Mark Records | 51524 MCD | |
2014 | ABC Classics | 5351040 | |
2014 | Regent | REGCD 449 | |
2014 | Naïve | NC 40044 | |
2014 | RCA Red Seal | 88843063602 | |
2013 | Delos | DE 3440 | |
2013 | Naxos | 8578253 | |
2013 | Genuin | GEN 13294 | |
2013 | Mark / Mark Custom Recording | 50240MCD | |
2013 | Preiser Records | PR 91217 | |
2012 | Entertainment Group | 4041 | |
2012 | Deutsche Grammophon | ||
2012 | Deutsche Grammophon | 4790350 | |
2012 | Deutsche Grammophon | 4790069 | |
2012 | EMI Classics / Warner Classics | 5099970514 | |
2012 | EMI Classics / Warner Classics | 5099932786 | |
2012 | Altissimo | ALT 63132 | |
2012 | Chandos | CHAN 24144 | |
2012 | Entertainment Group | 12304 | |
2012 | RPO | RPOSP 037 | |
2012 | Naïve | V 5252 | |
2011 | Newton Classics | 8802037 | |
2011 | Entertainment Group | 1210 | |
2010 | Decca | ||
2010 | Warner Classics / Warner Classics & Jazz / Wcj | 2564680255 | |
2010 | RPO | 28370 | |
2010 | Cascavelle | 3137 | |
2009 | EMI Classics / Warner Classics | 5099926475 | |
2009 | Deutsche Grammophon | ||
2009 | Sony Masterworks | 47282 | |
2008 | Signum UK | 135 | |
2007 | EMI Classics | 512278 | |
2007 | Brilliant Classics | 8128 | |
2007 | Brilliant Classics | 8480 | |
2007 | BBC Legends | 42202 | |
2007 | Decca | ||
2007 | Decca | 475 8748DC12 | |
2007 | Deutsche Grammophon | 4776118 | |
2006 | Chandos | CHAN2027 | |
2006 | JAV Recordings | JAV168 | |
2006 | Decca | 475 7431DC9 | |
2006 | Decca | 000732502 | |
2006 | Rca Red Seal | 76238 | |
2006 | Naxos | 8 552129/30 | |
2006 | Urtext | 106 | |
2005 | Brilliant / Brilliant Classics | 6735 | |
2005 | Brilliant | 7096 | |
2005 | Angelok 1 | 9932 | |
2005 | Liquid 8 | 12256 | |
2004 | Telarc Distribution | SA-60595 | |
2004 | Telarc Distribution | CD-80595 | |
2004 | Supraphon | 36892 | |
2004 | Universal Classics | 000217302 | |
2003 | Mark Custom Recording | symphonia2 | |
2003 | Chandos | 10088 | |
2002 | EMI Music Distribution | 75091 | |
2000 | German Brass | 27307 | |
2000 | Sony Classical | 89434 | |
2000 | Tring | 032 | |
2000 | Virgin Classics | 61134 | |
2000 | Summit Records | 247 | |
1999 | Deutsche Grammophon | 439892 | |
1999 | Delos | 3246 | |
1999 | RCA | 902668844 | |
1998 | Intersound | 2837 | |
1998 | BBC Music | 1 | |
1997 | Naxos | 8 556684 | |
1996 | ASV | CDQS6180 | |
1996 | Sony Music Distribution | 62592 | |
1996 | Sony Music Distribution | 62642 | |
1995 | Rondo Grammofon | 8324 | |
1995 | Rene Gailly | 87105 | |
1995 | Naxos | 553126 | |
1994 | Russian Disc | 10902 | |
1994 | London | 436 762-2DH | |
1994 | BIS | 570 | |
1994 | Chandos | 7000/1 | |
1993 | Telarc Distribution | 80305 | |
1992 | Chandos Brass / Chandos | CHAN-4519 | |
1992 | Sony Classical | 47198 | |
1992 | Chandos | 6511 | |
1992 | Chandos | 8587 | |
1990 | Delos | 3089 | |
1989 | Telarc Distribution | 80170 | |
CBC Records | 5069 | ||
BNA | 5058 | ||
Deutsche Grammophon | 13458 | ||
Mark Custom Recording | 1211 | ||
Mark Custom Recording | 4105 | ||
BBBC | |||
Mark Custom Recording | 2954 | ||
Imogena Records | 016 | ||
Philharmonia of the Nations | 52 | ||
Collins Records | 7012 | ||
Russian Revelation | 10061 | ||
Tring | 032 | ||
Collins Records | 11082 | ||
Brilliant | 8128/14 | ||
Virgin | 90784 | ||
EMI Music Distribution | 54803 | ||
Collins Records | 1108 | ||
Russian Revelation | 10084 | ||
Revelation Records | 40004 | ||
Sheffield Lab | 27 | ||
Imogena Records | 062 |
Dmitri Shostakovich’s five-minute Festive Overture in A major, Op. 96, was written in 1947 to mark the 30th anniversary of the October Revolution. It was not performed however until the 37th anniversary, when Alexander Melik-Pashayev conducted it during a Nov. 6, 1954, concert in Moscow’s Bolshoi Theatre.[1]
The Bolshoi's conductor, Vassili Nebolsin, found himself without a suitable new work to open the concert, and contacted Shostakovich just days before. The composer set to work on the overture with great speed, completing it in three days. He apparently based it on Glinka's Ruslan and LudmillaSccm 2012 software inventory report pdf. overture (1842), and it features the same lively tempo and style of melody. Whilst the style reflects Shostakovich, the piece as a whole uses very conventional classical devices of form and harmony.
The overture begins with a fanfare in the brass, followed by a fast melody in the winds. The strings take up this melody and the piece reaches a climax with a four-note motif. Suddenly, the music reaches a more lyrical melody in the horns and cellos, although the tempo remains the same. Shostakovich develops this material in his typical style, using both themes in counterpoint, before the fanfare returns and leads to a rousing coda.
Having out-of-date programs on your PC is a serious security risk because outdated applications often have vulnerabilities. All software for pc download. These security gaps are usually fixed with updates and patches, and that's why it's so important to keep all your installed programs up-to-date at all times. We know too well how difficult it is to keep track of all those updates - that's why we've developed Software Updater.Software Updater helps you to keep your Windows software up to date automatically. It has access to a vast database of software titles and can update all your installed programs quickly and easily.
The work is a standard piece of the orchestral repertoire. A transcription for concert band was prepared by Donald Hunsberger in 1965, and is played by many bands all over the world.
On August 29, 2000, John Williams and the Boston Pops Orchestra, performed the version of the overture as part of the Summon the Heroes soundtrack.
The overture featured in the 1980 Summer Olympics in Moscow and the 2009 Nobel Prize concert.
Instrumentation[edit]
Shostakovich scored the overture for one piccolo, two flutes, three oboes, three clarinets in A, two bassoons, one contrabassoon; four horns in F, three trumpets in B-Flat, two trombones, one bass trombone, one tuba; a percussion section with timpani, triangle, cymbals, bass drum, and snare drum; and strings. Shostakovich also included four offstage horns in F, three offstage trumpets in B-flat, two offstage trombones and one offstage bass trombone.
References[edit]
- ^Lee, Douglas A. (2002). Masterworks of 20th-century music: the modern repertory of the symphony orchestra. Routledge. p. 374. ISBN978-0-415-93846-4.